TOSHIBA LIGHTING & TECHNOLOGY CORPORATION > Projects > Louvre Project > Interview Michel Goutal

I love Paris. Not just its historical monuments but the way the concept of the whole city has been carefully thought out and realised over several centuries in the hands of people who maintained consistency. Architecte des Monuments historiques. Michel Goutal
photo of Michel Goutal

When we became aware of this project, right from our first look at the systems, the Historical Monuments Committee commenced a direct dialogue with Toshiba engineers in the pursuit of further improvements. We discussed viewing angles and the position of the lighting systems having regard to the building's architecture.
An interesting facet of LEDs is that they are configured in bars. A problem that occurred in the initial tests was a space between these bars which was rather conspicuous and gave a dotted line appearance. Toshiba made modifications to reduce the coupling between the bars until it was invisible. These major improvements produced perfect continuity and we now have light diffusion across the facades that achieves great uniformity compared with previous illumination systems.
The Louvre's architecture has large, linear cornices. Immediately behind the brightly illuminated sections are darker sections. Finding some very good angles during testing produced excellent uniformity of illumination over all facades and also resulted in an interesting colour temperature. It is not quite as warm as the previous system but still achieves an excellent result.
This technology will clearly grow as the lighting fixtures have a linear design which lends itself to installation on cornices. The units can also be fixed to low sloping roofs and illuminate while being masked by eaves or gutters. That makes it a very interesting solution.
There is no doubt that this project will achieve considerable energy savings. One direct result is the advantage of being able to use these illumination systems for a long time compared to the past. The illumination systems in most historical monuments are turned off relatively early in the evening. If we can realise energy savings we can also think in terms of cost savings but we can also consider extending the duration of illumination. It might be interesting if we could illuminate certain monuments for longer than in the past; say for example in the period between midnight and two o'clock in the morning.

About the Louvre x Toshiba LED project Louvre museum project leader Kazuaki Makita
Jean-Luc MARTINEZ :13 years partnership agreement

the Mona Lisa / the Red Roomthe Mona Lisa / the Red Room

Interview with participating Louvre representatives and Frenchofficials
Kazuaki MAKITA :Finding New Traditions in Lighting
Sophie LEMONNIER :Experts Who Exceeded Our Expectations
Christophe MONIN :Coordinating two different cultures
Vincent DELIEUVIN :Rediscovering the Mona Lisa in a New Light
Jean-Louis BELLEC :The strong desire to make success
Lorenzo PIQUERAS :A Perfect Environment for the Mona Lisa
Takayoshi MORIYAMA :Recovering the Painting's Deft Brushwork and Coloring
the Mona Lisa

Pyramid and Pyramidions / the Cour NapoléonPyramid and Pyramidions / the Cour Napoléon

Interview with participating Louvre representatives and Frenchofficials
Michel Goutal :Preservation while maintaining consistency.
Frédéric Auclair :Changing the way we perceive things
Sophie Lemonnier :Continuous innovation
Christophe Monin :The Louvre Museum's Unique Constraints
Message Former President Director of the Louvre Museum. Henri Loyrette
Development Story Insight on development for the Louvre, product details
Gallery The Louvre, under LED illumination

A separate window will open.PDF : Clicking on a link tagged with any one of these icons will open a new window or tab.

If JavaScript is disabled in your browser, this website or our websites linked from this site may not display or work properly.

to Top